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It’s too simplistic to say that people start to believe what’s written about them. But what happens is that you become a certain way to please people, to be liked, to be what’s expected of you, to change yourself so that you become the best possible version of yourself for people who don’t know you. And I think that’s a terrible, pernicious thing.
It’s too simplistic to say that people start to believe what’s written about them. But what happens is that you become a certain way to please people, to be liked, to be what’s expected of you, to change yourself so that you become the best possible version of yourself for people who don’t know you. And I think that’s a terrible, pernicious thing.

(Source: olivesaverin)

Sometimes you have to play the villain to save yourself.

- D. Ouija  (via thatkindofwoman)

(Source: dumpsterouija)

gq:

Ellie Kemper Asks: Can Men Be Funny?




“Reading a chapter from Warren Buffett’s Tap Dancing to Work the other day, I was surprised to find myself chuckling out loud. Now this guy is kind of funny, I thought to myself as I turned the page and grabbed another Danish. This guy is kind of making me laugh. And those thoughts that I had quietly, in my head, to myself, made me realize just how rarely I do have those thoughts in my head. And that thought led me to another thought, which was: why is that? Why, on the whole, are men just not that funny?”

gq:

Ellie Kemper Asks: Can Men Be Funny?

“Reading a chapter from Warren Buffett’s Tap Dancing to Work the other day, I was surprised to find myself chuckling out loud. Now this guy is kind of funny, I thought to myself as I turned the page and grabbed another Danish. This guy is kind of making me laugh. And those thoughts that I had quietly, in my head, to myself, made me realize just how rarely I do have those thoughts in my head. And that thought led me to another thought, which was: why is that? Why, on the whole, are men just not that funny?”

Does it matter that what you’ve achieved, with your online special and your tour can’t be replicated by other performers who don’t have the visibility or fan base that you do?
Why do you think those people don’t have the same resources that I have, the same visibility or relationship? What’s different between me and them?
You have the platform. You have the level of recognition.
So why do I have the platform and the recognition?
At this point you’ve put in the time.
There you go. There’s no way around that. There’s people that say: “It’s not fair. You have all that stuff.” I wasn’t born with it. It was a horrible process to get to this. It took me my whole life. If you’re new at this — and by “new at it,” I mean 15 years in, or even 20 — you’re just starting to get traction. Young musicians believe they should be able to throw a band together and be famous, and anything that’s in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.
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Does it matter that what you’ve achieved, with your online special and your tour can’t be replicated by other performers who don’t have the visibility or fan base that you do?

Why do you think those people don’t have the same resources that I have, the same visibility or relationship? What’s different between me and them?

You have the platform. You have the level of recognition.

So why do I have the platform and the recognition?

At this point you’ve put in the time.

There you go. There’s no way around that. There’s people that say: “It’s not fair. You have all that stuff.” I wasn’t born with it. It was a horrible process to get to this. It took me my whole life. If you’re new at this — and by “new at it,” I mean 15 years in, or even 20 — you’re just starting to get traction. Young musicians believe they should be able to throw a band together and be famous, and anything that’s in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.

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New Richard Curtis movie. SQUEE!

zenpencils:

CHRIS HADFIELD An astronaut’s advice

amandaonwriting:

Hollywood’s ($$$) Love Affair with Literature SOURCE

A big mistake for a lot of writers is they’ll work on the first twenty pages of their screenplay over and over and it’ll be a great twenty pages, but then the next eighty pages is slowly getting worse and worse. It’s like if you were to focus on the hand of a sculpture you were making - the hand might be beautiful, but it would be grotesquely huge as compared to the rest of the body. Each time you do a pass you have to go all the way to the end, is a rule I’ve made

-

Darren Aronofsky on his advice to writers.

This is so true… make sure you focus on the whole thing and not just the begining it will save you time in the long run.

(via beerosie)

endthymes:

“does anyone else-” yes

“am i the only one who-” no

“is it weird that i-” probably not

miscellany: The Glorification of White Crime

southcarolinaboy:

iamabutchsolo:

Take a facet of crime, and then look at television shows/movies that feature those criminals as protagonists.

White mobs.

image

White pirates.

image

White serial killers.

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White political corruption

image

White drug dealers

image

I mostly want to…

(Source: daughterofmulan)

Fiction is different than life, because in life there is no order or meaning, while a story must have both. Art is really about giving meaning to that chaos we call reality. Although I have not myself experienced a terror attack, a few years ago it was happening a lot around me, and it did affect my everyday life and feelings. But sudden, brutal deaths are actually around all of us, anywhere, anytime—not just in Israel.

- Israeli comics artist and author Rutu Modan (via gracebello)

What to Do When You're Blue

  • Be aware that you are depressed and seek help.
  • Treat your body well, including exercise.
  • Reduce stress.
  • Get enough sleep meaning a minimum of eight hours a night.
  • Address situations that would make anyone sad, such as the wrong job, a bad relationship, normal grief, and serious loss. Don’t passively wait for time to heal your wounds.
  • Regain a sense of control.
  • Examine your reactions to difficult situations. You will often find that reacting with helplessness, passivity, retreating inside, and turning passive lie at the root of your depressed state.
  • Spend time with people who give you a reason to feel alive and vibrant. Avoid people who share your negative responses and attitudes. Depression in some sense is contagious.
  • Rely to a minimum on antidepressants and apply your main efforts to other therapies. Pills should be as short-term as possible. They work best in removing the top layer of sadness so that you have a clear space to address the real underlying issues.
  • Talk about your problems and share your feelings with those who can listen with empathy and offer positive steps.
  • Make friends with someone who has recovered from depression or is handling the condition well.
  • Find a wise person who can help you to undo your most negative beliefs by showing you that life has other, better possibilities.

10 Steps to Finding Your Writing Voice

amandaonwriting:

An exercise for finding your voice

Not sure where to start? No problem. Most of us need help understanding our voice. Here’s a short exercise that can help you — just follow these 10 steps:

  1. Describe yourself in three adjectives.
    Example: snarky, fun, and flirty.
  2. Ask (and answer) the question: “Is this how I talk?”
  3. Imagine your ideal reader. Describe him in detail. Then, write to him, and only him.
    Example: My ideal reader is smart. He has a sense of humor, a short attention span, and is pretty savvy when it comes to technology and pop culture. He’s sarcastic and fun, but doesn’t like to waste time. And he loves pizza.
  4. Jot down at least five books, articles, or blogs you like to read. Spend some time examining them. How are they alike? How are they different? What abouthow they’re written intrigues you? Often what we admire is what we aspire to be.
    Example: Copyblogger, Chris Brogan, Seth Godin, Ernest Hemingway, and C.S. Lewis. I like these writers, because their writing is intelligent, pithy, and poignant.
  5. List your favorite artistic and cultural influences. Are you using these as references in your writing, or avoiding them, because you don’t think people would understand them?
    Example: I use some of my favorite bands’ music in my writing to teach deeper lessons.
  6. Ask other people: “What’s my voice? What do I sound like?” Take notes of the answers you get.
  7. Free-write. Just go nuts. Write in a way that’s most comfortable to you, without editing. Then go back and read it, asking yourself, “Do I publish stuff that sounds like this?”
  8. Read something you’ve recently written, and honestly ask yourself, “Is this something I would read?” If not, you must change your voice.
  9. Ask yourself: “Do I enjoy what I’m writing as I’m writing it?” If it feels like work, you may not be writing like yourself. (Caveat: Not every writer loves the act of writing, but it’s at least worth asking.)
  10. Pay attention to how you’re feeling. How do you feel before publishing?Afraid? Nervous? Worried? Good. You’re on the right track. If you’re completely calm, then you probably aren’t being vulnerable. Try writing something dangerous, something a little more you. Fear can be good. It motivates you to make your writing matter.

(Source: imperialdalek)